Treasures From American Film Archives - Encore Edition (2005) Review

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(More customer reviews)The majority of this deluxe boxed set is devoted to early silent films. I do not consider myself a particular fan of silent films, and yet most of these I found to be wonderful. While the four feature films were fine, I especially enjoyed the shorts, which commonly consider everyday life at the turn of the century. These silents have a spirit of joy and excitement, and a genuine sincerity, that I've never seen in film before. With only a few exceptions, these silents are in an excellent state of preservation, often offering an amazingly clear window on the past. The main exception is an early version of "Snow White," the one that inspired the famous Disney version. All copies were once believed lost; however, a below-average quality but still quite watchable print was found only a few years ago. The musical accompaniment, custom produced for these DVDs, adds immeasurably to the experience. These silents are highly recommended to anyone interested in the history of film or history in general. I am unaware of any other source of silent shorts on DVD, certainly not of this quality or extent.
Besides the silents, the set also offers several other categories of films, including those produced for the government, commercial and promotional films, home movies, and art shorts. These are generally oldish but not antique, none more recent than 1985. The offerings in the last three categories are generally weak. The art shorts, especially, with their emphasis on the abstract and modern, had little appeal for me. Even though many of them are relatively recent, they have been rarely shown, and with good reason. The big surprise is the quality of the government films, especially "The Battle of San Pietro," directed by John Huston, a true work of art, and one of the finest pieces in the set. Even "We Work Again," with its tiresome script intended to convince blacks of the benefits of government assistance during the depression, features beautiful cinematography, unfortunately uncredited, and ends with four minutes from a famous Orson Welle's adaptation of a Shakespeare play, of which no other footage exists.
Each disc is arranged in roughly chronological order, taking viewers on four trips through time, from the 1890's to the modern age. The set includes a 130 page booklet describing each film; these descriptions also appear on the DVDs themselves. The menus on the DVDs are professional, attractive, and easy-to-navigate. The transfers to DVD are excellent, with no digital artifacts that I could see.
This set could easily have been dry and academic. Instead, at its best, it's extremely moving, entertaining, and expressive of the past. The commentary could have condemned the past in light of today's viewpoints and ideologies; instead, with unexpectedly rare exceptions, its fair and informative. This set should have broad appeal for those willing to adjust to the limitations of early film technology. Overall, I cannot recommend this set highly enough.

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For the first time ever, America's film archives are joining forces to release their most exciting, unseen treasures on DVD. The 50 films in this four disc set have been meticulously preserved by eighteen of the nation's premiere archives, including the Library of Congress, the Smithsonian, the Museum of Modern Art, George Eastman House, UCLA, and the Academy of Motion Picture Arts and Sciences. Featuring numerous supplements and produced by the nonprofit National Film Preservation Foundation, "Treasures from American Film Archives" shows the amazing variety of films made from coast to coast over the last 100 years. With narration by Laurence Fishburne, this set is an absolute must for film collectors! Films include: Groucho Marx's home movies (1933, 2 min.), D.W. Griffith's "The Lonedale Operator" (1911, 17 min.), the earliest film version of "Snow White" (1916, 63 min.), "The Fall of the House of Usher" (1928, 13 min.), "Negro Leagues Baseball" (1946, 8 min.), "The Autobiography of a Jeep" (1943, 10 min.), Joseph Cornell's found footage film "Rose Hobart" (1936, 19 min.), "Returning on the Zeppelin Hindenburg" (1936, 7 min.), the early 2-color Technicolor feature "The Toll of the Sea" (1922, 54 min.), the William S. Hart western "Hell's Hinges" (1916, 64 min.), the first commercially-shown U.S. film "Blacksmithing Scene" (1893, 1 min.), plus silent features, documentaries and newsreels, avant-garde shorts, early animation and special effects films, home movies, and much more. Visit http://www.filmpreservation.org/ for a complete listing of all films included.

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