Showing posts with label classics. Show all posts
Showing posts with label classics. Show all posts

Gentleman Jim (1942) Review

Gentleman Jim  (1942)
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Gentleman Jim features what I think may be the most relaxed performance I have seen Errol Flynn give in a movie. He's seems very comfortable and at home in this somewhat fictious account of the life of boxer James Corbett. Flynn is cocky and charming as usual in this story of how Corbett rose from being a bank teller to world champion. A beautiful and sassy Alexis Smith is along as the love interest, while Alan Hale is his very Irish father, William Frawley his manager, Jack Carson his best buddy, and Ward Bond his biggest rival. Everyone is very good and appears to be having a great time. The boxing sequences are well staged by director Raoul Walsh, and generous doses of humour are found throughout. It teeters on corny at times, but it is all played with such energy and obvious enjoyment, the corny moments can be overlooked. As usual for most Warner Bros biopics, I'm sure it takes many liberties with the truth, but it doesn't matter. The film is very entertaining in its presentation of his life and how boxing evolved.

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Best Picture Oscar Collection (18-Pack) (1981) Review

Best Picture Oscar Collection (18-Pack) (1981)
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This is of course, great , but beware that some of the DVD's come "unwrapped" or "unsealed". How do we know they are new?? MY Fair Lady, Gone With the Wind, Chariots of Fire, Unforgiven, Around the World, and Amadeus all came this way. This could be inconvenient if you owned them previously, and were planning on giving them as gift or selling them. They will appear used. Just an FYI -

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The Thin Line Review

The Thin Line
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If you are an Alpine Ski racing fan, this is a don't miss film. Shot in spectacular HD, you will get a direct insight into the crazy, death defying world of downhill racing. In-depth interviews and amazing video footage will keep you glued to your screen for the duration of the film. Am must see film!

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Rush HD and Jalbert Productions present The Thin Line, an exhilarating documentary exploring the downhill- the original extreme sport. Shot in High Definition and film, this adrenaline-fueled film presents a color and captivating look at the people and places that have made this alpine skiing discipline one of the world's most dangerous and thrilling sports. Set against the backdrop of some of the world's most challenging downhill runs, including the prestigious Hahnenkamm in Kitzbuhel, Austria and the ferocious Birds of Prey, in Beaver Creek, Colorado, The Thin Line includes in-depth interviews with top downhillers, including American's Bode Miller, Daron Rahlves and Picabo Street, Austrian legend Franz Klammer, Candians Ken Read and Todd Brooker and many more.

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TCM Spotlight: Esther Williams, Volume One (Bathing Beauty / Easy to Wed / On an Island with You / Neptune's Daughter / Dangerous When Wet) (1946) Review

TCM Spotlight: Esther Williams, Volume One (Bathing Beauty / Easy to Wed / On an Island with You / Neptune's Daughter / Dangerous When Wet) (1946)
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Finally we get to see Esther Williams flicks in radiant colors and updated sound! Not that the DVD transfers are perfect, Criterion-league: there are specks and scratches from time to time, and blacks tend to bleed, particularly in the early ones (e.g. Bathing Beauty). But what a pleasure it is to have this joyful entertainement back, put together with care and intelligence. There's bonus material galore, though not all of it dealing with the star.
Included in the Bathing Beauty disc is a substantial interview Ms. Williams did with Robert Osborne for Turner Classic Movies. Ms. Williams comes across as somebody who has always been level headed, with a realistic view of life, aware of alternatives and skeptical of show-biz, always marveled at her good fortune (wondering when it would end), with the self-assurance gained from awareness of her personal worth. Nothing delusional there: underneath the Hollywood glamour, throughout her career and beyond, she has retained the mindset and integrity of a committed, champion athlete, i.e., it's the hard work, constancy and achievement that count, not the glitz or the noise (she was slated to participate in the 1940 Olympics had WWII not interfered). All these personal qualities come across in her films, and probably made her a star, unique in her genre. Before, during and after, there was no other. Though she was a fine craftsman and learned her trade well as an actress, she really only played one character, Esther Williams. Audiences flocked to "Esther Williams movies," with all fantasy such would entail (of course, production values count). It is difficult not to feel that she'd be a great friend to have. During the interview Robert Osborne can barely contain his delight.
Suspend disbelief, just enjoy. I hope we don't have to wait as long for Volume 2, which would include Million Dollar Mermaid and Easy to Love.
For fans, I would also recommend reading her down-to-earth autobiography.

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INCLUDES: BATHING BEAUTY (1944), EASY TO WED (1946), ON AN ISLAND WITH YOU (1948), NEPTUNE'S DAUGHTER (1949), DANGEROUS WHEN WET (1953)

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Motion Picture Masterpieces Collection (David Copperfield 1935 / Marie Antoinette 1938 / Pride and Prejudice 1940 / A Tale of Two Cities 1935 / Treasure Island 1934) (1938) Review

Motion Picture Masterpieces Collection (David Copperfield 1935 / Marie Antoinette 1938 / Pride and Prejudice 1940 / A Tale of Two Cities 1935 / Treasure Island 1934) (1938)
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The title tells the truth. Even by 1930's golden age of Hollywood standards, these five movies are literary masterpieces and true film classics. I remember all five fondly as a teenager in the late 1960's and early 1970's in long-gone San Francisco art theaters, and cut to threads on morning prize movie TV shows. It is an honor to watch them now in a comfortable bedroom, uncut and non-commercial. They are, of course, MGM studio print editions that in one instance, MARIE ANTOINETTE, even contains roadshow music and an intermission never seen on television.
TREASURE ISLAND (1934) stars Wallace Beery and Jackie Cooper, was directed by Victor Fleming (CAPTAINS COURAGEOUS, GONE WITH THE WIND), and is based on a Robert Louis Stevenson novel about pirates and buried treasure. In gorgeous B&W, it reunites Beery and Cooper from THE CHAMP (1931) and also features Lionel Barrymore and Lewis Stone. Come to think about it, this is a reunion for half the cast of GRAND HOTEL (1932).
DAVID COPPERFIELD and A TALE OF TWO CITIES (both 1935) are towering masterpieces based on Charles Dickens novels; both are impeccably produced by David O. Selznick. Painstakingly faithful to very long books, they both have gorgeous art direction and are cast to perfection down to the bit roles: W.C. Fields as Micawber, Freddie Bartholomew and Frank Lawton as David, Basil Rathbone as Mr. Murdstone, and Edna May Oliver as Aunt Betsey in DAVID; and Ronald Colman in maybe his greatest performance in TALE, which also features Oliver and Rathbone. At about 130 minutes each, they are long enough to do justice to the Dickens novels; I am sure he would have loved both immensely.
MARIE ANTOINETTE (1938), presented in a never-seen 157 minute roadshow edition, has an Oscar-nominated Norma Shearer in a wonderful role. If someone wanted to know who Shearer was, I would show this incredibly opulent and literate costume romance to them. It is the underrated masterpiece of this box set and also stars Tyrone Power and an Oscar-nominated Robert Morley as a shy, child-like King Louis XVI. The magnificent art direction and regal music were also Oscar-nominated. W.S. Van Dyke (THE THIN MAN, SAN FRANCISCO) directed.
Finally, we have a splendidly cast and written adaptation of Jane Austen's PRIDE AND PREJUDICE (1940), starring Greer Garson as Elizabeth Bennet and Laurence Oliver as Mr. Darcy. Aldous Huxley and Jane Murfin scripted this lovely and witty romantic comedy of manners that won an Oscar for B&W Interior Set Decoration.
But you don't just get five great movies in this Warner Home Video boxed set. TREASURE ISLAND also comes with two shorts, a cartoon, and a theatrical trailer. DAVID COPPERFIELD has the marvelous Technicolor short PIRATE PARTY AT CATALINA ISLE, along with a second Technicolor short, a cartoon, and a theatrical trailer. A TALE OF TWO CITIES has a memorable 60 minute Lux Radio Theater adaptation of TALE from 1942, starring Ronald Colman, along with two vintage cartoons and the theatrical trailer. MARIE ANTOINETTE has two shorts and a theatrical trailer, all tied in to the 1938 movie. And PRIDE AND PREJUDICE has an Oscar-nominated patriotic short on Navy training during World War Two, plus a color cartoon and theatrical trailer. It is one hell of a DVD boxed set, a labor of love and an absolute must-see on a slow TV week.


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MARIE ANTOINETTE The woman who was France! Norma Shearer and Tyrone Power headline an opulent saga of royalty and revolution. DAVID COPPERFIELD Based on the best-selling book by Charles Dickens. W.C. Fields is Micawber, and Freddie Bartholomew is young David in a splendid version of Dickens' most autobiographical work. A TALE OF TWO CITIES From the famed author Charles Dickens. "It was the best of times, it was the worst of times." Ronald Colman stars in the lavish story of the French Revolution...and one man's redemption. PRIDE AND PREJUDICE Based on the best-selling book by Jane Austen. Mr. Darcy (Laurence Olivier) sets maiden hearts aflutter - except for that of unimpressed Elizabeth Bennett (Greer Garson). Austen's masterwork! TREASURE ISLAND Based on the unforgettable book of the same title by Robert Louis Stevenson. Avast, me hearties, for the swashbuckler about a boy with a treasure map - and a pirate (Long John Silver) with a scheme. The Champ's Wallace Beery and Jackie Cooper reunite!

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Warner Gangsters Collection, Vol. 4 (The Amazing Dr. Clitterhouse / Invisible Stripes / Kid Galahad / Larceny, Inc. / The Little Giant / Public Enemies: The Golden Age of the Gangster Film) (2008) Review

Warner Gangsters Collection, Vol. 4 (The Amazing Dr. Clitterhouse / Invisible Stripes / Kid Galahad / Larceny, Inc. / The Little Giant / Public Enemies: The Golden Age of the Gangster Film) (2008)
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The fourth collection in Warner's Gangster sets contains more unsung gems from Warner Brothers, the studio whose product stands up the best of all today. The reasons are simple - they had the best actors and their production environment produced dynamic economical unpretentious entertainments. This set contains 4 starring vehicles for Edward G Robinson and 3 supporting roles for Humprey Bogart.
- "The Little Giant" is a pre code 1933 vehicle, a typical smart comic melodrama with Robinson as a beer baron who mixes in society, a not dissimilar theme to the later and far superior "A Slight Case of Murder". In this case, Robinson is still a bit close to "Little Ceasar" to be funny and the main interest is the endless slang and pre-code innuendo.
- From 1937, "Kid Galahad" is an exciting prize fight melodrama. Robinson is paired with a very attractive Bette Davis as his moll and together, they tear up the screen with their magnetism. Bogart and Robinson have a great shoot out at the end of the film.
- "The Amazing Dr Clitterhouse", released in 1938 and based on a successful West End play, stars Robinson as a surgeon who infiltrates a gang to analyse the criminal mind. With Bogart in support as a particularly vicious crook and the attractive and brittle Claire Trevor as the leader of the gang, this film, as directed by Anatole Litvak, is more polished than the usual Warner's programmer. The story is ambiguous with a very clever climax; a most unusual and interesting film.
- by 1939, the gangster cycle had just about runs its course and the Hays Code was more interested in how the gangster reformed than how he operated. "Invisible Stripes" is more a social melodrama than a gangster film and stars the wooden George Raft as an ex-crim trying to re-establish himself while on parole. Bogart is in support again and a very young William Holden appears. It is a dull and predictable film.
- "Larceny Inc", released in 1942, is a very funny comedy with Robinson out of jail and buying a luggage shop adjoining a bank in order to break in. Jack Carson is particularly amusing as a travelling salesman. Watch out for his sales pitch on his range of luggage - hilarious! Also the incomparable Ed Brophy with his hysterical Brooklyn accent appears as one of Robinson's sidekicks.
All the prints are in good condition and the DVDs are packed with extras - cartoons, short films and trailers as part of "Warners's Night at the Movies". A number of the films have expert commentaries. The one for "Larceny Inc" is lousy. A seperate DVD is included which contains a very detailed documentary about the development of the gangster genre at Warner Brothers. The best parts are the snippets of archival interviews with such people as Joan Blondell, that spunky moll essential to the early Warner's product, and directors such as William Wellman ("The Public Enemy") and Raoul Walsh ("White Heat"). If you are interested in the history of Warner Brothers, then the documentary is interesting but keep in mind that most of its content has been covered in commentaries and featurettes included on the DVDs of the films which make up Warners Gangster Collections.
As usual, Warner Brothers have produced a good value package.

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The fourth collection in this series includes the films The Amazing Doctor Clitterhouse, Little Giant, Larceny Incorporated, Invisible Stripes, Kid Galahad, and a bonus disc featuring a new documentary, Public Enemies: The Golden Age of Gangster Film.

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The Paul Newman Collection (Harper / The Drowning Pool / The Left-Handed Gun / The Mackintosh Man / Pocket Money / Somebody Up There Likes Me / The Young Philadelphians) (1956) Review

The Paul Newman Collection (Harper / The Drowning Pool / The Left-Handed Gun / The Mackintosh Man / Pocket Money / Somebody Up There Likes Me / The Young Philadelphians) (1956)
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I've always liked Paul Newman. He was blessed with matinee idol looks and twinkling blue eyes and could've fully relied on those attributes to carry his film career. Instead, he went his own way and pretty early on established himself as a maverick personality, with an independent mindset and a determination to make it in La-La Land based on his acting, not his looks. Back in those days, when the Hollywood studios were still more in control of things, that streak of gumption could've spelled doom for an actor establishing himself. But, the thing of it is, Paul Newman can also act - and act exceedingly well. So he was given license to be a real actor, instead of a Hollywood puppet. He fought for the meaty roles he ended up with, when he could've made a solid living coasting in cinematic romances. So, yeah, I like Paul Newman.
For me, there are two utter gems in this collection: SOMEBODY UP THERE LIKES ME and THE YOUNG PHILADELPHIANS. These are the first two Paul Newman films I saw, so they have special resonance for me. HARPER is almost as memorable, with its sequel THE DROWNING POOL and THE MACKINTOSH MAN being decent enough. Even POCKET MONEY and THE LEFT-HANDED GUN, two kinda bizarre films, have some justification for existing as motion pictures, because even at his least capable, Paul Newman still exuded style and swagger, that unmistakable Hollywood presence that made him a top cinematic leading man in his heyday.
Here's the cool thing: all the films in this collection are being released in dvd format for the first time. Now, the special features are listed by Amazon so there's no need to go into details. I will say that the extra feature I'm most looking forward to accessing is the audio commentary by Paul Newman, Robert Wise, and Martin Scorcese on SOMEBODY UP THERE LIKES ME. I already own the individual films on VHS but the decider for my having pre-ordered this collection is the above-mentioned audio commentary. Three Hollywood legends chit-chatting about one of my favorite boxing movies? It was a no-brainer for me.
The seven films featured here vary from excellent to decent to Geez-it's-a-good-thing-I-like-you-Paul-Newman. SOMEBODY UP THERE LIKES ME is truly excellent, with HARPER just a notch below. THE YOUNG PHILADELPHIANS, which is in my top two favorites here (due to sentimental reasons) is a highly diverting soap opera-type of film. THE MACKINTOSH MAN is a pretty entertaining spy thriller. THE DROWNING POOL is so-so; I enjoyed it mostly on the strength of it being a sequel to HARPER. THE LEFT-HANDED GUN and POCKET MONEY are my two least favorites here, even though both films have their own merit. So, obviously, for Newman connoisseurs, his best films aren't in this collection. Off the top of my head, I'm talking about classics like THE LONG HOT SUMMER, CAT ON A HOT TIN ROOF, HUD, COOL HAND LUKE, THE HUSTLER, BUTCH CASSIDY & THE SUNDANCE KID, THE STING, THE VERDICT, THE COLOR OF MONEY...heck, even SLAPSHOT is a fine sports film. But, see, all those are already out in dvd. This collection is for the Newman completist, as well as for those who haven't yet had a chance to view his lesser known work. I can't, in good conscience, rate this collection as 5 stars overall, because some of the movies themselves aren't 5-star films. But it does get a very healthy 4 stars, as well as a semi-exasperated "Well, finally!" Man, I've been waiting for years for the dvd versions!
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HARPER (1966) is based on Ross MacDonald's classic detective Lew Archer and is an engrossing mystery film. Newman is simply great as the cool and unflappable Lew Harper as he attempts to ferret out a missing millionaire but ends up, as usual with these types of mysteries, digging up more than he bargained for.
THE DROWNING POOL (1975) is the sequel to HARPER and is decidedly a lesser effort. This time out, Harper goes to Louisiana to get to the bottom of a blackmailing plot and ends up meeting eccentrics. A slow mystery, and, in a way, more of a slice of life type of film. But, if you've seen and enjoyed HARPER, you almost have to see this. Plus, it features a very young Melanie Griffith.
Paul Newman got to portray middleweight boxer Rocky Graziano when James Dean (who had been originally signed) tragically died. SOMEBODY UP THERE LIKES ME (1956) chronicles Rocky's wild, law-breaking youth and his evolution from an unpolished street fighter to an unpolished prize fighter. Highly entertaining stuff, with a very rootable protagonist. Pier Angeli, as his future wife Norma Graziano, is unassumingly charming. But, make no mistake, Newman's nuanced performance carries the day and is what made Hollywood sit up and really pay attention.
THE MACKINTOSH MAN (1973) is a pseudo-Hitchcockian cold war thriller starring Newman as Joseph Rearden, a supposedly convicted criminal who escapes from prison in the company of a spy. Then, things get more murky and complicated. Not a bad gritty flick directed by John Huston.
THE LEFT-HANDED GUN (1958) is a sympathetic take on William Bonney, aka Billy the Kid. As westerns go, it's...not bad, though it is a bit loopy at times, with regards to Newman's off-the-beaten-path take on the famous outlaw. This time, the troubled Billy the Kid is portrayed as, more or less, on the side of the angels who seeks justice when his friend and mentor is murdered by a dastardly lawman and his peeps. This is actually one of my least favorite Paul Newman flicks.
POCKET MONEY (1972) is an offbeat modern western-comedy starring Paul Newman and Lee Marvin as two cowboys who get bilked in a cattle smuggling scheme by a two-faced rancher played by Strother Martin. This movie has its own leisurely sense of pace and takes a while to get into, as its not afraid to go off on its own tangents. This is ultimately a character study revolving around Newman's gullible Jim Kane and Marvin's dim-bulb Leonard. In fact, their performances are the saving grace of this film. For those who enjoy contemplative, off-kilter films without lots of action, this one's for you.
THE YOUNG PHILADELPHIANS (1959) offers up some very good performances, with Newman doing the heavy lifting, acting-wise. It's basically a soap opera tale elevated to the big screen and given a Hollywood sheen. Newman plays a young, gifted lawyer from the poor side of town attempting to scale Philadelphia's elite social ladder. Jilted romances and courtroom dramas abound. Personally, I really dig this film.


Click Here to see more reviews about: The Paul Newman Collection (Harper / The Drowning Pool / The Left-Handed Gun / The Mackintosh Man / Pocket Money / Somebody Up There Likes Me / The Young Philadelphians) (1956)

Includes: Harper (1966), Drowning Pool (1975), The Left Handed Gun (1958),Pocket Money (1972), Somebody Up There Likes Me (1956), and The Young Philadelphians (1959).

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Burt Lancaster: The Signature Collection (The Flame and the Arrow / Jim Thorpe All-American / His Majesty O'Keefe / South Sea Woman / Executive Action) (1950) Review

Burt Lancaster:  The Signature Collection (The Flame and the Arrow / Jim Thorpe All-American / His Majesty O'Keefe / South Sea Woman / Executive Action) (1950)
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The following is a description of the films in this Signature Collection dedicated to the talents of Burt Lancaster:
Flame and the Arrow (1950) - This is an enjoyable swashbuckling type of film set in the 12th century. For some reason, when the local overlord stole Dardo's (Lancaster's) wife he does nothing, but when his son is taken from him he finally decides to take action. This film is important for two reasons - a. because it is fun and full of action b. because it revived Lancaster's career after he had been type-cast for several years as less than bright villains in film noir films. Lancaster purchased and produced this film himself, and as a result of it we got to see him as Elmer Gantry and Sgt. Milton Warden later on.
Jim Thorpe - All American (1951) - This is a very good biopic and the best film in the set, in my opinion. Lancaster plays Thorpe, a Native American athlete who loses his Olympic gold medals when it is learned he played two seasons of minor league baseball prior to competing, thus violating his amateur status. This is a turning point in his life, and his marriage ends and he feels his dream of coaching as a career will never be. The film ends before the truly sad years in Thorpe's life begin, when he is truly broke.
South Sea Woman (1953) - Lancaster plays Marine Sergeant James O'Hearn who is being court martialed during World War II when he arrives in Pearl Harbor after the Japanese attack and has no excuse for his absence up to that point. He refuses to defend himself. A showgirl takes the stand in his defense and tells the court that O'Hearn is really just standing up for a buddy of his, one who is really guilty of the scandalous behavior.
His Majesty O'Keefe (1954) - Probably the weakest film in the set, but still above average. After a mutiny, ship captain O'Keefe (Lancaster) winds up on the island of Yap. There is a fortune to be made in cocoanut there, and meanwhile the local islanders have made O'Keefe their king based on a local legend and their mistaken belief in who he represents. O'Keefe has two problems - the islanders don't want to work at harvesting the cocoanut and the Germans already "own the rights" to the cocoanut trade there. Nice little action film with a charming performance by Lancaster.
Executive Action (1973) - Made about the time of Watergate as people began to be much less trustful of government, this is one of the first films to address the possibility that what the public was told about the Kennedy assassination might have been less than truthful. Much of what was in the film JFK is presented here, both rightly and wrongly, but the larger more complex conspiracy theory that was floated in JFK is not. That is probably because in 1973 people were just beginning to reevaluate this whole issue. At any rate, it is a very good film and worth revisiting.
I don't have any information on extra features other than that they will be "Oscar-nominated vintage shorts, vintage featurettes and classic cartoons." In other words, I am not expecting biographical material. One real question I have is why is "The Twilight's Last Gleaming" not included? Warner Home Video has the rights to it, and it is better than any picture in this set. Considering Burt Lancaster did his best-known work at other studios, you'd think they would bother to include it in a Signature Collection of the actor's better works. Thus I can only give this collection four stars. In fact, it is probably between 3.5 and 4 stars given the information I have and no knowledge if there will even be any commentary included on the films.

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Includes: The Flame and the Arrow (1950), Jim Thorpe All-American (1951), His Majesty O'Keefe (1954), South Sea Woman (1953), and Executive Action (1973).

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The Marx Brothers Collection (A Night at The Opera/A Day at The Races/A Night in Casablanca/Room Service/At the Circus/Go West/The Big Store) (1935) Review

The Marx Brothers Collection (A Night at The Opera/A Day at The Races/A Night in Casablanca/Room Service/At the Circus/Go West/The Big Store) (1935)
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Fans of the Marx Brothers movies have had to wait a long time to finally see their heroes done justice on the DVD format. Image Entertainment released a now out-of-print box set a few years ago with simply awful transfers and no extras. Hopes were raised when Warner Brothers announced that they would be releasing their own box set this year. The good news is that the Warners discs feature excellent transfers of every movie with a solid collection of supplemental material. The bad news is that many of the Marx Brothers most famous and beloved early films, like The Cocoanuts and Animal Crackers are not included set. So what exactly does one get with this new box set?
The first film in the set is A Night at the Opera, arguably one of the Marx Brothers best films of their career. It was the first film after they were pushed out of Paramount Studios because of the commercial and critical failure of Duck Soup.
Opera was a huge hit and put the Marx Brothers back on the map. They wisely followed it up with another Thalberg collaboration, A Day at the Races.
Sadly, Thalberg died suddenly before the movie was completed and the Marx Brothers films would never achieve the same greatness. No longer under the producer's protective presence, the Marx Bros. were effectively at the studio's mercy. They put them out to pasture metaphorically speaking. This may explain why the Marx Bros. made Room Service for RKO instead of MGM in 1938.
At the Circus marked the Marx Brothers' return to MGM and is not one of their greatest moments but isn't awful either.
Go West begins with a very funny scene in which Chico and Harpo milk Groucho out of most of his money. However, all three eventually appear in the Old West without any logical explanation on how they got there.
Touted as their "first farewell film," The Big Store is a bit of a lackluster affair but does have its moments.
Upon completion of The Big Store, Harpo planned to retire, Groucho was going to focus on his radio career and Chico was going to form a big band. However, after World War II they reformed to make two more films, one of which rounds out the box set--A Night at Casablanca.
As one would expect, the bulk of substantial extras are on the discs for the Marx Brothers' most popular films, A Night at the Opera and A Day at the Races. Each DVD features several short films, some animated, some not and a theatrical trailer for each movie. Here are some of the highlights.
The A Night at the Opera DVD features an audio commentary by film historian, Leonard Maltin. He lays it down right from the start that his track will not be a dry, academic analysis of the Marx Brothers' comedy. He delivers an enthusiastic commentary that is also informative.
"Remarks on Marx" is a 33-minute look at the Marx Brothers' legacy. It not only explains where they got their nicknames but also examines their anarchic brand of comedy.
A Day at the Races features an audio commentary by Glenn Mitchell, author of The Marx Brothers Encyclopedia. This is a vastly informative track as Mitchell talks at length about the backgrounds of actors Allan Jones and Margaret O'Sullivan.
"On Your Marx, Get Set, Go!" is a look at the film and briefly explores the volatile relationship between the Marx Brothers and the film's director, Sam Wood.
The extras on the Room Service disc are pretty slim.
Aside from a vintage radio promo for Go West, there is little of relevance to the movie itself in the supplemental section.
Fans of the Marx Brothers are in for a real treat with this box set that covers the last eleven years of their careers. The transfers for each film are fantastic and a definite improvement over the Image box set. While the extras tend to get slimmer and less relevant in their later films, the ones for A Night at the Opera and A Day at the Races are excellent. The audio commentaries, especially, are a must-listen for any Marx Bros. fan. One hopes that their early output of films will receive the same excellent treatment.

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This set includes seven of only thirteen Marx Brothers films ever made! Collection includes: "A Night at the Opera" (1935) - The Marx Brothers turn Mrs. Claypool's opera into chaos in their efforts to help two young hopefuls get a break. It contains the famous scene where Groucho, Chico and Harpo cram a ship's stateroom with wall-to-wall people, gags, one-liners, musical riffs and two hard-boiled eggs. "A Day at the Races" (1937) - Groucho stars as Hugo Z. Hackenbush, a horse veterinarian dispensing horse pills and quips with equal glee. Chico selling racing tips, Harpo destroying a piano to turn it into a harp and favorite foil actress Margaret Dumont make this thoroughbred comedy wall-to-wall hilarity. "A Night in Casablanca" (1946) - This parody of the Bogart/Bergman 1943 classic features the Nazis vs. the "nutsies" as the Marx Brothers foil Axis criminals when they find stolen jewels and paintings Nazis have hidden in a hotel. "Room Service"/"At the Circus" - These two films are combined on one disc to provide double doses of laughter. In "Room Service" (1938), Lucille Ball and Ann Miller provide comic co-star support while the Marx Brothers play producers trying to keep their show above water and a hotel room over their head. In "At the Circus" (1939) Groucho stars as professional shyster lawyer J. Cheever Loophole in the middle of big-top bedlam as the boys try to save the circus and look to Margaret Dumont for the money to do so. Groucho sings one of his famous songs, "Lydia the Tattooed Lady." "Go West"/"The Big Store" - Another Marx Brothers twin bill makes this a hilarious comedy "two-fer." In the first, the Marxmen "Go West" (1940) to the land of outlaws and Indians where the fun never stops and where they outwit a land grabber. In "The Big Store" (1941), Groucho plays Attorney Wolf J. Flywheel who with sidekick Wacky (Harpo) and bodyguard Ravelli (Chico) are investigating the shady dealings of a crooked department store owner. Bonus extras include commentary by Leonard Maltin.

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Night and the City (The Criterion Collection) (1950) Review

Night and the City (The Criterion Collection) (1950)
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This has always been one of my favorite Richard Widmark films, and it's also one of the most underated film noirs of all time. Widmark plays Harry Fabian, a hopeless hustler and conman in London who dreams of making it big. Gene Tierney plays his girlfriend, who also falls prey to Fabian's schemes and tricks. Fabian comes up with a plan to become a "bigshot": be a promoter in the wrestling world, and arrange for one of the biggest matches in London's history. The problem is that he has to meet the approval of the leader of London's underworld, and that's where his plans fall apart. The suckers who supported Fabian soon realize their error, and the mob comes looking for Fabian with a vengeance, in one of the most memorable chases in film noir history. Fabian has no one left to turn to, except his helpless girlfriend, but even she can do nothing to save him. The ending is one of the best (in my opinion) of all film noirs. Even though Widmark's character is totally unlikable, I consider this one of his finest performances. Gene Tierney is also great, but she gets far too little screen time. I've waited years for this classic to be released on dvd, and finally my wish has been answered! If you're even remotely interested in classic film noir, this dvd is a definite must-have!

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Two-bit hustler Harry Fabian (Richard Widmark) aches for a life of ease and plenty. Trailed by an inglorious history of go-nowhere schemes, he stumbles upon a chance of a lifetime in the form of legendary wrestler Gregorius the Great (Stanislaus Zbyszko). But there is no easy money in this underworld of shifting alliances, bottomless graft, and pummeled flesh-and soon Fabian learns the horrible price of his ambition. Luminously shot in the streets of London, Jules Dassin's Night and the City is film noir of the first order and one of the director's crowning achievements.

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